On a recent trip to New York City I spent some time walking around the famous Highline with my camera. New York is a colorful city in more ways than one, so I decided to photograph it in black and white. By the way, the Highline, if you don’t know it, is an old elevated railroad track that was converted into a public park/walkway.
For me the decision to go black and white is usually done on an image-by-image basis. Deciding to go somewhere and only shoot in black and white was quite cathartic. The inspiration to do this came from fellow photographer, John Barclay’s beautiful black and white photographs from Death Valley National Park. I recently spent some time there being inspired by the colors. See my blog posts here.
The photograph at the top of this post is a juxtaposition of traditional “vanishing point” perspective lines, enhanced by a wide angle lens, and lines of light and shadow from a low winter sun. Removing the color not only enhances this juxtaposition, but it adds a sense of nostalgia to a street in good old New York City.
Photographing this mural in black and white kind of adds a nice little tribute to the Alfred Eisenstaedt’s original photograph of these two people in 1945.
This mural and graffiti were hard to convert to black and white because the bright paint colors were so bold and beautiful. But, after they were converted something interesting happened. The defects, textures and architectural features of the building became an equal part of the scene instead of being a distraction or simply the surface the paint was placed on.
How I Did It – No matter whether I’m photographing in color or black and white I keep the camera settings for color. When I process a photograph I continue to treat it as a color image to get the color balance, saturation, etc. right. Once the color version looks perfect, I convert it to Black and White using Topaz or NIK software. Although black and white is all about contrast and tonal range, color plays a big role in how those things play out in the finished photograph.
Enjoy.
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gorgeous series of images, love the street view!
Thanks Greg. I’m fond of the street view myself. Hey keep up the great blog posts.
Well done and thanks for the mention. Glad you’re enjoying my B&W images.
Thanks John
Your images are awesome! And I really like the “how I did it” explanations. Thanks for liking my photo. Glad I found you.
Hi Laura – I’m glad you are enjoying my blog. You have some nice photographs on yours.
inspired much
Thank you very much for that compliment
Reblogged this on rebloggobbler.
Thanks for the reblog!
Great images Rich and I agree the high line is a location with endless possibilities. I wanted to pass along two things that have strongly influenced my black & white path; Vincent Versace’s channel mixing conversion method which leverages the colour channel data and an infrared converted camera. If you haven’t taken a look Versace’s book From Oz to Kansas: Almost Every Black and White Conversion Technique Known to Man is great resource on both fronts albeit a bit dry. http://www.amazon.com/From-Oz-Kansas-Conversion-Technique/dp/0321794028/ref=sr_1_1?ie=UTF8&qid=1395574016&sr=8-1&keywords=From+Oz+to+Kansas%3A+Almost+Every+Black+and+White+Conversion+Technique+Known+to+Man
Thank you Stephen for the recommendations. I played with channel mixing years ago before Photoshop added a black and white conversion layer. I need to revisit that because I was getting some great results. You aren’t the first person to recommend that I consider an infrared camera. I just ordered Vincent Versace’s book and am looking forward to seeing what that has to teach me. Thanks again Stephen for sharing your knowledge.
Some how I missed these before. Wonderful again! I love the elevated view of the first image. It surprises me how well the graffiti looks in B&W … so graphic!!!
Thanks Denise. I have to say I was a bit surprised when I converted this image to black and white. I honestly thought it wouldn’t work out. It is very graphic and it really shows that the tagger is actually really talented.