Missouri’s Rugged, Beautiful Landscape
Here are more photographs from my trip to the Ozark Mountains in Southern Missouri with photographer Craig McCord. In my previous post I showed the old mills we visited which were set in a beautiful and rugged landscape. The photographs below show more of that landscape.
There were not a lot of opportunities to photograph the grand landscape of the Ozark Mountains because those mountains are very wooded. Yet, every now and then, there would be a break in the trees or somewhere along the roadside, where a magnificent view would be revealed.
I was able to spend time on my own the last day that I was in Eminence, Missouri. A nice morning mist made that time very worth while.
Blue Spring
Blue Spring really does look like this. That dark blue water is not faked in Photoshop. The spring is very deep and flows quickly at about 90 million gallons a day. These two factors cause a kind of chemical reaction with the minerals in the rocks resulting in this deep blue color.
The Intimate Ozark Mountain Landscape
The Ozark Mountains are not a place with a lot of expansive views, but it is a nice place to get intimate with the landscape and find the patterns and compositions in the forest surrounding you. Being from the flat and sandy New Jersey Pinelands made the rocky and mountainous Ozarks an interesting place to figure out photographically. Both places are ruggedly beautiful, just in very different ways.
The Ozark Mountains are a great place for photographing flowing water but this is the only photograph of it I’m showing here. (See the technical note below.) I’ve spent a lot of time photographing flowing water, so I get to be a little discriminating. This image is one of my favorites of the trip.
Technical Note: The above photograph could be considered a compositional no-no. The “rules” of composition say that there should be an odd number of main elements shown. There actually were 3 of these branches sticking out of the water. One was bobbing up and down so much in the current that the long exposure needed to get the silky feel of the water caused it to be too blurry. Instead of doing a double exposure, I instinctively left it out of the photograph. While processing this image, and being temporarily stuck on the rules, I thought about lightening the little waves on the right in Photoshop to make them visually stronger to become a third main element. In the end I decided against it because the diagonal line of the two sticks creates a stronger composition. What do you think?
It’s important to take the time to evaluate the best way to photograph subjects in front of your camera. Use the “rules” as a guideline and let your heart and your imagination be the final say on the way you create your photographs.
Enjoy!
Truly: America the Beautiful! We have to be ever alert to attempts to despoil what is left of our wild areas, and to restore what has been degraded…looking at you West Virginia coal mines, Minnesota iron mines, logging in Western states, sugar fields in Florida, oil well contamination in Louisiana/Texas…more than enough guilt to go around, sad to say.
Thanks for reminding us of the glories of Our Land.
Thanks for your compliment, Susan. Part of what I do is help us realize the need to maintain a balance between the need for natural resources and preserving the environment they are located in. We live in an amazing country with such a diverse and beautiful landscape.
These images are exceptional. You really have a gift for capturing the interplay between land and light. I think the closing image is a strong one regardless of conformity to rules or otherwise. I think you have an instinct to know when to flout the rules.
Thanks Laura, I appreciate your comment, and your opinion. I really love your term “flout the rules” and will be borrowing that one.
2 sticks is stunning! Rich, in the hands of an artist, rules are suggestions only. As you have shown here so well. beautiful photo.
they all are. Blue springs … lovely too. cheers, Debi
Thanks Debi. I appreciate your opinion very much. It’s nice to know that an artist of your caliber shares my opinion about the rules.
my pleasure Rich.
many years ago I read an article by a truly remarkable almost zen, artist… Tony Smibert, the quote that stands out “there are no rules, just consequences.” This still echoes in my mind.
What a great quote. Truly a Zen take on the art of composition and life as well. Thanks for sharing that one.
I really thought you’d like that Rich. Tony Smibert, is more than an artist, he also is aikido (sp.) master and it translates over into his art. Simple. Natural. Harmonious. I just love it.
Rich, you’ve done a great job. I really like your images at the top of Prairie Hollow. This was a difficult area to photograph but you did quit well with its complexities. The two sticks image is also well done. I took a similar image here a couple of year ago, including the 3rd stick. However, your process in creating this image was well thought through. Regarding your comment about “rules”, I’ve come to refer to them as “tools”.
Thanks Craig, although it was your knowledge of the area and inspiration that made this happen. When we were at Prairie Hollow I first thought that I never would find anything and considered finding a nice stump to sit on to take a break from our energetic schedule. But, your challenge to find the photograph motivated me to keep looking around and I’m very happy I did.
When I found those sticks I thought I made a great discovery until I saw the version you have on your website. It’s interesting how we both have very different takes on them. Thanks again for your comment Craig.
Beautiful images … I love the lush but peaceful feeling of your cover image.
Thanks again, Denise. I’m not one to photograph curvy roads, but that scene was just to nice to pass up. Peaceful describes this quiet little road outside of the small town of Eminence, Missouri perfectly.
I think your work is amazing.
Thank you Karen. I appreciate your compliment.
Thank you Karen. I appreciate your compliment