How I learned to Love Soft Photographs 

Lensbaby lenses are made by a company that owes its success to bucking the trend in lens manufacturing. While camera and lens companies work to make sharper and sharper optics for their lenses, the people at Lensbaby are quite good at finding new ways of artistically softening an image with theirs. The results are new and interesting ways to create artistic photographs in camera..

I’ve been a fan of the Lensbaby idea for a long time, but my real connection with their equipment came with the release of the Velvet 56 lens. The name Velvet is perfect because the images it produces have a velvety softness and glow that is impressionistically beautiful.

When this lens became available and images from it started showing up online, I bought one and fell in love with it. As it happens sometimes, other photography projects caused me to lose sight of this lens. That was until my friend and fellow photographer, Jane Palmer, posted some images on her blog after she purchased a Lensbaby Velvet 56.

With Jane’s inspiration, I dusted off the Lensbaby and decided to reacquaint myself with this little lens.  To challenge my  creativity I went to photograph wildflowers. Flowers are not a regular subject for me. As a landscape photographer used to producing clear images, it was challenging to shoot wildflowers with the Lensbaby and not obsess over getting every petal perfectly sharp. How did I do?

Lensbaby, Meet The New Jersey Pinelands

Photographing summer wildflowers in the New Jersey Pinelands usually means trudging through what a tourist brochure (if one existed) would call wetlands, but we Pineys call a swamp. Having a small compact lens like this one on your camera makes the job a little easier. Plus you get that beautiful Lensbaby effect.

Pine Barrens Pitcher Plant Landscape Lensbaby

A Pitcher Plant Landscape by Richard Lewis 2018


Pine Barrens Pitcher Plant Flower with Asphodels Lensbaby

Pitcher Plant Flower with Asphodels by Richard Lewis 2018


Pine Barrens Threadleaf Sundew Lensbaby

Threadleaf Sundew by Richard Lewis 2018


Lensbaby Orange Milkwort in the Pine Barrens

Orange Milkwort by Richard Lewis 2018


A Little Texture Never Hurts

The Lensbaby Velvet 56 and applied textures in Photoshop can be a nice combination. While the dreamy and soft feel is the hallmark of the this lens, a little crusty texture seems to work well at times to enhance the painterly feel this lens produces.

Lensbaby Velvet 56 Flower Pose

Turkish Cap Lilly Posing by Richard Lewis 2018


Lensbaby Velvet 56 Pink Flower Bud

Lensbaby Pink Flower Bud by Richard Lewis 2018


Lensbaby Velvet 56 Pitcher Plant

Lensbaby Pitcher Plant by Richard Lewis 2018


Random Acts of Lensbaby

Here are some other images made over the last several years using the Lensbaby Velvet 56

Lensbaby Velvet 56 Flowers

Turkish Cap Lillies by Richard Lewis 2018


Lensbaby Velvet 56 three Red Flowers

Lensbaby 3 Red Flowers by Richard Lewis 2018


Floral Abstract by Richard Lewis 2015


Flower Buds by Richard Lewis 2016


Lensbaby Velvet 56 Tiger Lilly 1

Lensbaby Tiger Lilly 1 by Richard Lewis 2015


Lensbaby Velvet 56 Front Porch by Richard Lewis

Front Porch by Richard Lewis 2016

A Lensbaby Lesson

Here are some tips on using the Lensbaby Velvet 56.

  • The Lens has a 56mm focal length which means it would be considered a normal lens, or a lens with a field of view that is similar to the human eye.
  • It is a completely manual lens. While it works with most camera light meters, the f-stop and focus need to be set manually.
  • The Lensbaby Velvet 56 is both a regular and macro lens.
  • The lens has a maximum aperture of f/1.6. The wider you shoot with it, the stronger the “velvet” effect is. Above f/4 a halo forms around bright subjects in the photograph. If that doesn’t appeal to you, simply use the lens at f/4 or stopped down further.
  • At smaller f stops, the “velvet” effect becomes minimal. However the bokeh (Out of focus background) if used in an image, can have an interesting circular look to it.
  • When shooting wide open, it may appear that the image is not in focus, but if you look closely,  you will find that the subject is quite sharp.
  • This may be the way I relate to the lens, but outside of the images with textures, there is very little post processing in these photographs. In most images, only some contrast and saturation adjustments were needed.

If you are not challenging yourself, you are not growing.

As a landscape photographer with an obsession on clarity and sharpness, it’s nice to move in a different direction creatively. I’ve never been fond of photographing flowers, because the crisply sharp images I’ve obsessed over tend to be more suited as example photos for a guide book than artistic photographs. This little Lensbaby has opened up a new vision for my work with this subject.

Challenging yourself as a photographer to think and create differently translates into growth for your creative voice. While I’m not going to sell all my other lenses, the Lensbaby 56 one will continue to help enhance my personal creative vision.


Learn to expand your creative voice on one of my Photography Workshops